June 13, 2013
Amy Rebecca Klein: A Website: Dear Family and Friends,

amyrebeccaklein:

You probably know that I am not someone who often asks others for help. Nevertheless, I need your help in order to keep on making music. I am trying to make another album, and, at this point, it’s difficult for me to afford the cost of studio time. However, this particular album is something…

June 8, 2013
blua:

New York City Painting by Jeremy Mann

spectac

blua:

New York City Painting by Jeremy Mann

spectac

(Source: arraic, via villere)

June 6, 2013
jonnovstheinternet:

[via]

jonnovstheinternet:

[via]

(via gynocologist)

June 6, 2013
nycdailypics:

Columbus Ciricle.

nycdailypics:

Columbus Ciricle.

June 4, 2013
"‘Thirty years on, the future will still be boring. I see an endless suburbanization, interrupted by notes of totally unpredictable violence: the sniper outside the supermarket, the bomb outside suburban hypermarket, the madman with the Kalashnikov in McDonald’s. But this random violence is totally without connection to people’s everyday lives. This will lead to a feeling that the world is arbitrary and illogical, insane even. That’s a frightening kind of landscape.’"

— J.G. Ballard, 2002 (via criminalwisdom)

June 3, 2013

commutilation:

Until I get my film developed in the next day or two I’m going to just post this here.

This is my video for ‘The Landing Light’. It was made in Tipperary by Sam Fitzpatrick. I’ll be releasing my debut EP at the end of this week.
www.facebook.com/studalymusic
www.soundcloud.com/studaly

I hope you enjoy it, feel free to share.

June 3, 2013

(Source: eightyfiver, via petervidani)

June 2, 2013
mpdrolet:

Amanda Jasnowski

mpdrolet:

Amanda Jasnowski

(via photographsonthebrain)

May 27, 2013

The focus on eyes emphasises the overall desperation for secrets and trust that characterises both the FBI and the criminals. On close ups, having Jodie Foster look slightly off camera and all the other actors straight on, subtly highlights the fact that most of the film is from Clarice’s point of view and that others struggle to know her intimately. When she finally confides in Lecter and tells him about her childhood and the lambs, she looks straight into the camera for one of the first times [x]

(Source: kissthefuture, via gynocologist)

May 24, 2013

(Source: annhusky, via villere)

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