You probably know that I am not someone who often asks others for help. Nevertheless, I need your help in order to keep on making music. I am trying to make another album, and, at this point, it’s difficult for me to afford the cost of studio time. However, this particular album is something…
— J.G. Ballard, 2002 (via criminalwisdom)
Until I get my film developed in the next day or two I’m going to just post this here.
This is my video for ‘The Landing Light’. It was made in Tipperary by Sam Fitzpatrick. I’ll be releasing my debut EP at the end of this week.
I hope you enjoy it, feel free to share.
The focus on eyes emphasises the overall desperation for secrets and trust that characterises both the FBI and the criminals. On close ups, having Jodie Foster look slightly off camera and all the other actors straight on, subtly highlights the fact that most of the film is from Clarice’s point of view and that others struggle to know her intimately. When she finally confides in Lecter and tells him about her childhood and the lambs, she looks straight into the camera for one of the first times [x]
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